Course Title: Photography Major Study 2
Part B: Course Detail
Teaching Period: Term1 2008
Course Code: VART5169
Course Title: Photography Major Study 2
School: 340T Art
Campus: City Campus
Program: C5048 - Diploma of Arts (Visual Arts)
Course Contact : Kellyann Geurts
Course Contact Phone: +61 3 9925 4472
Course Contact Email:kellyann.geurts@rmit.edu.au
Name and Contact Details of All Other Relevant Staff
Linda Erceg
Ph: +61 3 9925 4125
Nominal Hours: 144
Regardless of the mode of delivery, represent a guide to the relative teaching time and student effort required to successfully achieve a particular competency/module. This may include not only scheduled classes or workplace visits but also the amount of effort required to undertake, evaluate and complete all assessment requirements, including any non-classroom activities.
Pre-requisites and Co-requisites
VART5168 – Photography Major Study Level 1 / VART5166 – Photography Minor Study Level 1
Course Description
The purpose of this course is for students to synthesise the technical and conceptual skills acquired in previous photography courses to produce an individual body of work that applies the knowledge of photography as a fine art discipline. Students also participate in the planning and organisation of an exhibition of works. This course focuses on digital practice, with camera use and lighting techniques incorporated into digital studio outcomes.
National Codes, Titles, Elements and Performance Criteria
National Element Code & Title: |
VBS679 Photography Major Study 2 |
Learning Outcomes
1. Use and select appropriate equipment, materials and advanced techniques in the production of a personal body of work.
2. Document contemporary issues and theory in the arts
3. Use photography effectively as a form of visual expression and articulation.
4. Consolidate ideas to produce a personal body of work for exhibition.
5. Promote oneself through setting up an exhibition.
Details of Learning Activities
Students will receive tuition in their individual studios and in the computer lab.
Lectures, demonstrations, group discussion, gallery excursions and individual tutorials will all feature as part of the course.
Students are expected to work on their practice in their studios and off campus.
Teaching Schedule
This course is run over an 18 semester.
Learning Resources
Prescribed Texts
Cotton, Charlotte. The Photograph As Contemporary Art, Thames and Hudson, 2004 |
References
Bolton, R. The Contest of Meaning: Critical Histories of Photography MIT Press, 1989 |
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Langford, Michael Basic Photography,Oxford Focal Press, 2000. |
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Janus, Elizabeth (ED) Veronica’s Revenge Contemporary Perspectives on Photography LAC Switzerland,1998 |
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Newhall, Beaumont The History of Photography: From 1839 to the Present Day, Doubleday,1964 |
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Sontag, Susan On Photography, Farrar, Straus and Giroux, 1989 |
Other Resources
Overview of Assessment
Folio presentation marked by a panel, with written response.
Assessment Tasks
• Folio Work, demonstrating sustained investigation.
• 10-12 Resolved works with backup
• Successful integration of Photoshop elements within practice.
• Participation in group tutorial on specified date.
• 1 Visual journal
• Studio practice
Students are given a mark (either PX or NN) at the end of the semester.
Assessment Matrix
Course Overview: Access Course Overview