Course Title: Direct screen production crews
Part B: Course Detail
Teaching Period: Term2 2011
Course Code: VART5926C
Course Title: Direct screen production crews
School: 345T Media and Communication
Campus: City Campus
Program: C6087 - Advanced Diploma of Screen and Media
Course Contact : Program Administration
Course Contact Phone: +61 3 9925 4815
Course Contact Email:mcvet@rmit.edu.au
Name and Contact Details of All Other Relevant Staff
Teachers/ Barbara Gliddon (9925 4072)
Supervising (barbara.gliddon@rmit.edu.au)
Producers Roz Williams (9925 4974)
(roz.williams@rmit.edu.au)
Nominal Hours: 50
Regardless of the mode of delivery, represent a guide to the relative teaching time and student effort required to successfully achieve a particular competency/module. This may include not only scheduled classes or workplace visits but also the amount of effort required to undertake, evaluate and complete all assessment requirements, including any non-classroom activities.
Pre-requisites and Co-requisites
None
Course Description
This course covers the skills and knowledge required to direct film and television production crews. Also, it brings together the skills and knowledge covered in other courses with a focus on the way these must be applied to direct film and television production crews.
National Codes, Titles, Elements and Performance Criteria
National Element Code & Title: |
CUFDRT603A Direct screen production crews |
Element: |
1 Brief crew on shoot requirements. |
Performance Criteria: |
1.1 Brief production crew and discuss proposed vision, artistic style and technical requirements for |
Element: |
2 Rehearse shoots. |
Performance Criteria: |
2.1 Provide relevant production documentation to all members of production crew as required. |
Element: |
3 Direct shoots. |
Performance Criteria: |
3.1 Direct performers to ensure they understand their role in assisting production crew to meet planned |
Learning Outcomes
On successful completion of this course, you will have developed skills and knowledge for directing screen production crews.
Details of Learning Activities
You will participate in class workshops and work-integrated learning on location
that will help equip you with the skills to successfully direct a film/tv production
crew to industry standards
Teaching Schedule
Week
1. Preproduction and production issues.
1.1, 1.2, 13, 14, 1.5
2. Preproduction and production. Work integrated learning (W.I.L.)
1.1, 1.2, 13, 14, 1.5, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4
3. Preproduction and production. WI.L.
1.1, 1.2, 13, 14, 1.5, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4, 3.5, 3.6, 3.7
4. Preproduction and production. WI.L.
1.1, 1.2, 13, 14, 1.5, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4, 3.5, 3.6, 3.7
5. Preproduction and production. WI.L.
1.1, 1.2, 13, 14, 1.5, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4, 3.5, 3.6, 3.7
6. Preproduction and production. WI.L.
1.1, 1.2, 13, 14, 1.5, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4, 3.5, 3.6, 3.7
Adv.Dip. Screen & Media: Direct Screen Production Crews Course Guide 2010-Sem 2 3
7. Preproduction and production. W.I.L.
1.1, 1.2, 13, 14, 1.5, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4, 3.5, 3.6, 3.7
8. Preproduction and production. WI.L.
1.1, 1.2, 13, 14, 1.5, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4, 3.5, 3.6, 3.7
9. Preproduction and production. WI.L.
1.1, 1.2, 13, 14, 1.5, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4, 3.5, 3.6, 3.7
10. Preproduction and production. WI.L.
1.1, 1.2, 13, 14, 1.5, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4, 3.5, 3.6, 3.7
11. Preproduction and production. WI.L.
1.1, 1.2, 13, 14, 1.5, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4, 3.5, 3.6, 3.7
12. Preproduction and production. WI.L.
1.1, 1.2, 13, 14, 1.5, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4, 3.5, 3.6, 3.7
13. Preproduction and production. WI.L.
1.1, 1.2, 13, 14, 1.5, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4, 3.5, 3.6, 3.7
14. Preproduction and production. WI.L.
1.1, 1.2, 13, 14, 1.5, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4, 3.5, 3.6, 3.7
15. Preproduction and production. WI.L.
1.1, 1.2, 13, 14, 1.5, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4, 3.5, 3.6, 3.7
16. Preproduction and production. WI.L.
1.1, 1.2, 13, 14, 1.5, 2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4, 3.5, 3.6, 3.7
17. Production. WI.L.
2.1, 2.2, 2.3, 2.4, 2.5, 3.1, 3.2, 3.3, 3.3, 3.4, 3.5, 3.6, 3.7
18. Production. WI.L.
2.1, 2.2, 2.3, 2.4, 2.5, 2.6, 3.1, 3.2, 4.1, 4.2, 4.3, 5.1, 5.2, 5.3
Regardless of the mode of delivery, the above represents a guide to the relative
teaching time and student effort required to successfully achieve a particular
competency/module. This may include not only scheduled classes or workplace
visits, but also the amount of effort required to undertake, evaluate and complete all
assessment requirements, including any non-classroom activities.
Learning Resources
Prescribed Texts
References
Media, Entertainment & Arts Alliance (MEAA) |
Other Resources
Overview of Assessment
Assessment wil be practical and relate to your major production work. You will each direct a film of up to 12 minutes in duration and complete post production within the scheduled time allocated to you.
Assessment Tasks
1. Preproduction paperwork: 30%
This is to be handed to teacher (supervising producer) 8 days’ prior to
commencement of filming before an authorisation to release equipment will be given
to you:
1. Copy of final script, set out in industry-accepted format (marks will be deducted if
script is not properly formatted). Script content is to be same as that previously
sighted and intended for production in this unit.
2. Copy of shooting plan (this can be a marked up script, a storyboard, or a shot list
3. Copy of lighting plan from your camera person
3. Evidence of preproduction meetings you’ve had with your 1st AD and your crew
5. Dates of auditions and rehearsals (including ones yet to be done)
2. Evaluation of director’s performance by each member of the crew:
15%
This includes preproduction and production. Evaluation forms will be provided for
this assignment.
3. Self evaluation by director: 15%
Evaluation forms will be provided for this assignment.
4. Evaluation by supervising producer (teacher) of director’s practical
skills and knowledge: 20%
This will be a review of evidence given in assessment items 1, 2, 3 above, plus visit/s
to location.
5. Evaluation by supervising producer of completed film and other
deliverables: 20%
Deliverables are: 1 DVD copy of completed film
Adv.Dip. Screen & Media: Direct Screen Production Crews Course Guide 2010-Sem 2 5
1 mini dv copy of completed film
Critical aspects for assessment and evidence required to demonstrate competency
Assessment must ensure:
• access to a suitable range of production opportunities for directing production crews
• access to a range of production facilities, e.g. film and television multi-camera studio
• access to appropriate learning and assessment support when required
• the use of culturally appropriate processes, and techniques appropriate to the oracy, language and literacy
capacity of the assessee and the work being performed.
80 – 100% HD High Distinction
70 – 79% DI Distinction
60 – 69% CR Credit
50 – 59% PA Pass
Under 50% NN Fail
Assessment Matrix
The assessment matrix demonstrates alignment of assessment tasks with the relevant Unit of Competency. These are available through the course contact in Program administration
Other Information
Special consideration Policy (Late Submission)
All assessment tasks are required to be completed to a satisfactory level. If you are unable to complete any piece of assessment by the due date, you will need to apply for an extension.
Please refer to the following URL for extensions and special consideration:
http://www.rmit.edu.au/browse;ID=qkssnx1c5r0y;STATUS=A;PAGE_AUTHOR=Andrea%20Syers;SECTION=1;
Course Overview: Access Course Overview