Course Title: Manage production of sound recordings
Part A: Course Overview
Program: C6104 Advanced Diploma of Sound Production
Course Title: Manage production of sound recordings
Portfolio: DSC Portfolio Office
Nominal Hours: 50
Regardless of the mode of delivery, represent a guide to the relative teaching time and student effort required to successfully achieve a particular competency/module. This may include not only scheduled classes or workplace visits but also the amount of effort required to undertake, evaluate and complete all assessment requirements, including any non-classroom activities.Terms
Course Code |
Campus |
Career |
School |
Learning Mode |
Teaching Period(s) |
PERF5074C |
City Campus |
TAFE |
345T Media and Communication |
Face-to-Face |
Term2 2011, Term2 2012, Term2 2013, Term2 2014, Term2 2015 |
Course Contact: Program Administration
Course Contact Phone: 03 9925 4815
Course Contact Email: mcvet@rmit.edu.au
Course Description
In this course you will learn specific skills related to live recording of improvised music in small to mid-sized venues. You will also liaison with artist(s) and conduct pre-production planning as well as the mixing of live recordings (in stereo).
Pre-requisite Courses and Assumed Knowledge and Capabilities
none
National Competency Codes and Titles
National Element Code & Title: |
CUSSOU602A Manage production of sound recordings |
Elements: |
1 Clarify Sound-recording brief 2 Organise resources 3 Prepare for production of sound recordings 4 Manage recording sessions 5 Maintain effective communication with production staff & artists 6 Manage post-production 7 Evaluate production of sound recordings |
Learning Outcomes
On successful completion of this unit you will have achieved the skills and knowledge required to: plan and carry out live recordings with small ensembles and mix them in stereo; produce a Red Book Master CD-DA and have observed the mastering process by a professional mastering engineer.
Overview of Assessment
Assessment tasks include research and liaise with artist(s) prior to recording, taking part in the live recording at a nominated venue, mixing the recording in stereo to industry standards, attend a mastering session of the mixed audio.