Course Title: Research and apply information on the traditions which inform photoimaging practice

Part B: Course Detail

Teaching Period: Term1 2011

Course Code: EMPL5629C

Course Title: Research and apply information on the traditions which inform photoimaging practice

School: 345T Media and Communication

Campus: City Campus

Program: C4224 - Certificate IV in Photoimaging

Course Contact : Josiane Mueller

Course Contact Phone: +61 3 9925 4585

Course Contact Email:josiane.mueller@rmit.edu.au


Name and Contact Details of All Other Relevant Staff

Teacher: Robert Gale
Phone: 99254848
Email: rob.gale@rmit.edu.au

Nominal Hours: 50

Regardless of the mode of delivery, represent a guide to the relative teaching time and student effort required to successfully achieve a particular competency/module. This may include not only scheduled classes or workplace visits but also the amount of effort required to undertake, evaluate and complete all assessment requirements, including any non-classroom activities.

Pre-requisites and Co-requisites

None

Course Description

This unit describes the skills and knowledge required to collect, analyse and apply information on the broad traditions, which inform photographic practice. The unit provides underpinning skills and knowledge development for all the photoimaging units.


National Codes, Titles, Elements and Performance Criteria

National Element Code & Title:

CUVPHI03B Research and apply information on the traditions which inform photoimaging practice

Element:

1. Research traditions which inform photo imaging practice.

Performance Criteria:

1.1 Identify relevant sources of information on traditions which inform photoimaging practice.

1.2 Identify and explore potential new and alternative sources which are relevant to own practice

1.3 Use formal and informal research techniques appropriately to access information.

1.4 Organise research materials and findings for current and future use.

Element:

3. Update and maintain knowledge of trends within own area(s) of photo imaging practice.

Performance Criteria:

3.1 Identify and use opportunities to update and expand knowledge of the traditions which inform photoimaging practice.

3.2 Incorporate and integrate knowledge into own photoimaging practice.

Element:

2. Link research to photo imaging practice.

Performance Criteria:

2.1 Critically evaluate information in the context of own photoimaging practice and the work of others.

2.2 Assess ways in which different aspects of the traditions of photoimaging practice may be used, adapted and challenged within own photoimaging practice.

2.3 Develop positions in relation to the traditions of photoimaging practice to inform own current practice.


Learning Outcomes


On successful completion of this unit, you will be able to research and analyse the work a diverse range of significant photographer and apply the relevant knowledge to your practice.


Details of Learning Activities

In class learning activities include:
• lectures
• peer teaching and class presentations
• group discussion
• online research
• independent project based work
• teacher directed group activities/projects
• workshopping of students’ own projects
Field trip to a professional photographic lab

Out of class activities include, but are not limited to:
• online research
• work shopping
• independent project based work


Teaching Schedule

 

Week 1 Lecture Photo History from 1826 – 1950s
The beginnings of photography, Presentations skills instruction, Copy photography demonstrations instruction.
Lecture & discussion Photographers of the late 1800’s - early 1900’s
Pictorialist to the Realists – The influence of Alfred Stieglitz on modern photography

Elements 1,2

Week 2 LIBRARY TOUR

Elements 1,3

Week 3 Landscape – Ansel Adams & Edward Western
Review of Assignment 2 Progress

Elements 1,2

Week 4 Lecture & discussion Photographers. The impact of 35mm cameras on Photography –

Elements 1,2,3

Week 5 Fashion Photograph of the 1930 – 1960’s Guy Bourdan, Irving Pen, Richard Avedon

Elements 1,2,3

Week 6 Australian Photographers on Architectural & Industrial Max Dupain Wolfgang Sievers, David Morre

Elements 1,2,3

Week 7 Assignment 1 students to make verbal presentations by remaining students FORMATIVE ASSESSMENT

Elements 1,2,3

Week 8 Assignment 1 students to make verbal presentations by remaining students FORMATIVE ASSESSMENT

Elements 123

Week 9 Documentary Photography

Research and present the life and work of a photographer working between 1950s and present day Assignment 2 Set

Elements 1,2,3

Week 10 Portrait Photography - DVD
Editorial Portraiture
The Life and Work of Annie Liebovitz
Discussion The Changing styles of Portraiture

Elements 1,2,3

Week 11 Discussion Photography of the adolescent model
Sally Mann, Bill Henson Video

Elements 1,2,3

Week 12 Urban Landscape
William Eggleston – On Colour

Elements 1,2,3

Week 13 Students to work independently on their  SUMMATIVE ASSESSMENT

Elements 1,2,3

Week 14 The changing face of Fashion Photographer
David La Chapell

Elements 1,2,3

Week 15 Assignment 2 SUMMATIVE ASSESSMENT

Elements 1,2,3

Week 16 Assignment 2 SUMMATIVE ASSESSMENT

Elements 1,2,3

Week 17 Assessment and review Non attendence


Learning Resources

Prescribed Texts

You are advised to look at the course Blackboard site for ongoing updated information.


References


Other Resources

Personal Hard Drive 250- 500gig


Overview of Assessment

Assessment for this course is ongoing throughout the semester. Your knowledge and understanding of course content is assessed through participation in class exercises and through the application of learned skills and insights to a series of research tasks and presentations.


Assessment Tasks

Assessment tasks in this course are either formative or summative. Formative tasks provide the basis for ongoing feedback and can be considered as essential building blocks for the more substantial summative assessment tasks. Summative assessment tasks in this unit are graded.
For further information on the assessment and grading criteria, please refer to the course Blackboard site.
To demonstrate competency in this course, you need to complete each one of the following pieces of assessment to a satisfactory standard.


Assignment 1- Formative assessment : Research and present the life and work of a photographer working between 1820s and 1950s

Assignment 2 – Summative assessment : Research and present the life and work of a photographer working between 1950s and present day


For further information on the grading system and criteria used, please refer to the course blackboard site.

Grades used in this unit are as follows:
CHD Competent with High Distinction
CDI Competent with Distinction
CC Competent with Credit
CAG Competency Achieved -Graded
NYC Not Yet Competent
DNS Did Not Submit for Assessment


Assessment Matrix

The assessment matrix demonstrates alignment of assessment tasks with the relevant Unit of Competency. These are available through the course contact in Program administration.

Other Information

Feedback
You will receive verbal and written feedback by your teacher on your work, as appropriate. This feedback also includes suggestions on further developing your skills and taking projects to the next stage.

Late Submissions
Please refer to the course blackboard site for policy information including information on late submissions and plagiarism

Special consideration Policy (Late Submission)
All assessment tasks are required to be completed to a satisfactory level. If you are unable to complete any piece of assessment by the due date, you will need to apply for an extension.
Please refer to the following URL for extensions and special consideration:
http://www.rmit.edu.au/browse;ID=qkssnx1c5r0y;STATUS=A;PAGE_AUTHOR=Andrea%20Syers;SECTION=1;



Plagiarism
RMIT has a strict policy on plagiarism. Please refer to the website for more information on this policy

Course Overview: Access Course Overview