Course Title: Produce prints
Part B: Course Detail
Teaching Period: Term1 2007
Course Code: VART5778C
Course ID: 039013
Course Title: Produce prints
School: 340T Art
Program Code: C5048 - Diploma of Arts (Visual Arts)
Course Contact : Kellyann Geurts
Course Contact Phone: +61 3 9925 4472
Course Contact Email: kellyann.geurts@rmit.edu.au
Name and Contact Details of All Other Relevant Staff
Nominal Hours: 50
Regardless of the mode of delivery, represent a guide to the relative teaching time and student effort required to successfully achieve a particular competency/module. This may include not only scheduled classes or workplace visits but also the amount of effort required to undertake, evaluate and complete all assessment requirements, including any non-classroom activities.
Pre-requisites and Co-requisites
OHTH5322C Follow health, safety and security procedures
Course Description
In this course students produce prints through the exploration and application of a range of techniques, tools, equipment and materials.
This is a specialisation unit and refers to a specific art form encouraging experimentation with the unique possibilities of printmaking in creating original imagery.
National Codes, Titles, Elements and Performance Criteria
National Element Code & Title: |
CUVVSP45A Produce prints |
Element: |
Explore printmaking techniques to plan work |
Element: |
Prepare and maintain resources for the production of prints |
Element: |
Realise prints |
Learning Outcomes
1. Prepare and maintain resources for the production of prints
2. Explore printmaking techniques to plan art works
3. Realise prints
Overview of Learning Activities
Details of Learning Activities
Identify the occupational health and safety aspects of printmaking materials and processes, and demonstrate safe working practices.
Familiarisation with basic bookmaking and printmaking terminology and conventions.
Establish an understanding of the unique possibilities of printmaking in the production of imagery.
Apply basic printmaking processes and techniques in the production of a series of prints in selected print media.
Compile a technical resource file that documents technical processes and serves as a resource for the development of original prints. This may be incorporated with the Visual Diary.
Teaching Schedule
1 | Orientation |
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2 | Introduction |
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3 | Project 1 Panarama | Etching |
4 | Project 1 Panarama | Etching |
5 | Project 1 Panarama | Etching |
6 | Project 1 Panarama | Etching |
7 | Project 1 Panarama | Etching |
8 | Project 2 | Linoleum Cut |
9 | Project 2 | Linoleum Cut |
10 | Project 2 | Linoleum Cut |
11 | Project 2 | Linoleum Cut |
12 | Project 3 | Reduction Linoleum Cut |
13 | Project 3 | Reduction Linoleum Cut |
14 | Project 3 | Reduction Linoleum Cut |
15 | Project 3 | Reduction Linoleum Cut |
16 | Folio Preparation |
Open Studio |
17 | Assessment | Assessment |
18 | Folio Enrichement |
Open Studio |
Overview of Learning Resources
Learning Resources
Prescribed Texts
References
Grishin, S. Contemporary Australian Printmaking, Craftsman House, Roseville 1994 |
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Imprint (quarterly printmaking journal), Print Council of Australia, Melbourne Victoria |
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Printmaking today: a quarterly journal of contemporary international graphic art, Farrand Press London |
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Rossol, M & Bartlett, B, Danger! Artists at Work, 2nd Edition, Thorpe, Melbourne |
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The Complete Guide to Prints and Printmaking Techniques and Materials, Oxford: Phaidon, 1981 |
Other Resources
Overview of Assessment
Folio presentation marked by a panel, with written response.
Assessment Tasks
3 resolved Projects.
Printmaking technical workbook (Containing technical information, notes and drawings in relation to processes and projects. This may be incorporated within the visual diary.)
Class participation and studio practice incorporating key competency completion.
Students are given a non graded mark (PX) at the end of semester one with written feed back.
Assessment criteria as set out in Art and Design Curriculum Framework 12857 VIC (Visual Arts)
Course Overview: Access Course Overview