Course Title: Produce drawings to communicate ideas
Part B: Course Detail
Teaching Period: Term2 2016
Course Code: VART6240C
Course Title: Produce drawings to communicate ideas
School: 340T Art
Campus: City Campus
Program: C4311 - Certificate IV in Visual Arts
Course Contact: Jennifer Mills
Course Contact Phone: +61 3 9925 4472
Course Contact Email: visualarts@rmit.edu.au
Name and Contact Details of All Other Relevant Staff
Sharon West
Rebecca Pohlner
Rebecca pohlner@rmit.edu.au
Nominal Hours: 80
Regardless of the mode of delivery, represent a guide to the relative teaching time and student effort required to successfully achieve a particular competency/module. This may include not only scheduled classes or workplace visits but also the amount of effort required to undertake, evaluate and complete all assessment requirements, including any non-classroom activities.
Pre-requisites and Co-requisites
NIL
Course Description
On successful completion of this course, you will have created a folio that demonstrates the skills and knowledge required to produce drawings that represent and communicate ideas. Ideas for communication are diverse and may include design concepts for objects, processes or spaces, or movement sequences for performances or screen productions. Drawings may be for personal use or for presentation in exhibitions, tender bid proposals or publications. Drawing may be electronic or hand drawn.
At this level, you would take some responsibility for experimentation with a range of drawing techniques and be expected to show some command of those techniques.
This course is clustered (delivered and assessed) in conjunction with CUVPRP401A Realise a creative project.
National Codes, Titles, Elements and Performance Criteria
National Element Code & Title: |
CUVACD301A Produce drawings to communicate ideas |
Element: |
1. Plan drawing work |
Performance Criteria: |
1.1 Explore drawing requirements with reference to relevant reference material and appropriate people when required 1.2 Identify factors that may impact on how drawing work is undertaken 1.3 Gather information about drawing techniques, materials and equipment from a range of sources and determine how they may be used to communicate ideas 1.4 Evaluate information for its application to specific drawing briefs |
Element: |
2. Experiment to represent ideas |
Performance Criteria: |
2.1 Assess the capabilities of techniques, materials and equipment through exploration 2.2 Select approaches that best suit the purpose of drawings and their presentation context 2.3 Follow safety procedures for particular techniques, materials and equipment |
Element: |
3. Create drawings |
Performance Criteria: |
3.1 Organise materials, tools and equipment for selected techniques 3.2 Produce preliminary drawings and discuss their effectiveness with relevant people 3.3 Finalise drawings, incorporating feedback on work in progress as required 3.4 Prepare drawings for the presentation context |
Learning Outcomes
On successful completion of this course, you will have completed
- A selection of drawings that explore mark making and techniques
- A selection of drawings that use experimentation with materials and tools
- Understanding of OH&S processes in a studio environment
In this course you will develop the following program capabilities:
- Extended drawing process and the relevant OH&S.
- Determine and organise resource requirements for new work
- Develop research and refine a conceptual vision through the production of drawings
Details of Learning Activities
Your learning activities will take place in a studio. You will complete exercises and industry style projects. You will also be required to undertake independent study.
RMIT will provide you with resources and tools for learning in this course through our online systems. Learning resources include access to studios. You will be expected to make use of the library resources.
In this course, you learn through:
1. In-class activities:
• teacher directed group activities/projects
• group discussion
• class exercises to review discussions/lectures
• studio work
2. Out-of-class activities include:
• practical exercises
• project work
• independent research
Teaching Schedule
Week |
Course Content |
Task / Assessment |
Mediums |
Elements |
1 |
Introduction to course:
Introduction: Drawing PowerPoint |
Introduce Project 1: Seeing and drawing Approaches&techniques to perceptual drawing |
Charcoal |
CUVACD301A 1,2, 3.-3.3 |
2 | Structure and tone |
building tone on a white page to create form and mass |
Charcoal | CUVACD301A1,2, 3.1-3.3 |
3 | value, tone and tint - Rub back no.1–still life |
Dark to light. Identifying shape, positive and negative space and observational intensity. |
Charcoal, kneadable & vinyl eraser | CUVACD301A1,2, 3.1-3.3 |
4 | value, tone and tint - Rub back no.2–still life |
Dark to light. Identifying shape, positive and negative space and observational intensity. Refined with conte pastels and conte pencil. |
Charcoal, conte pastel & pencil kneadable & vinyl eraser | CUVACD301A1,2, 3.1-3.3 |
5 | Linear perspective - Composition and colour–neutral – still life with architectural forms Colour |
Depth and architectural form Geometric solids: the cube |
Graphite pencils | CUVACD301A1,2, 3-1,3.3 |
6 | Perspective continued- still life industrial objects |
Depth and architectural form Geometric solids: the cylinder |
Graphite pencils /conte pencils | CUVACD301A1,2, 3.-3.3 |
7 |
Colour Coloured pastel –reduced palette- Fruit still life |
Warm & cool accented still life Introduction to colour theory and colour relationships |
conte pastel & pencil coloured dry pastel |
CUVACD301A1,2, 3.1-3.3 |
8 |
Colour Coloured pastel –extended palette - Foilage/flower still life |
Warm& cool accented still life Introduction to colour theory and colour relationships extended with full palette. |
conte pastel & pencilcoloured dry pastel | CUVACD301A1,2, 3.1-3.3 |
9 |
Composition and colour–neutral palette objects with intense colour accent- coloured pastel Shells |
Approaches to compostion: symmetry/asymmetry, balance and harmony using a color accented still life |
Pastels, inks & conte | CUVACD301A1,2, 3.1-3.3 |
10 | Composition and colour–detail and space-Shells/coloured ground |
Approaches to compostion: symmetry/asymmetry, balance and harmony using a detail and space |
Pastels, inks & conte | CUVACD301A1,2, 3.1-3.3 |
11 |
Wet Media: Ink Organic shapes still life (plants and foliage) |
Hatching and cross-hatching, Layering |
Ink and nib palette |
CUVACD301A1,2, 3.1-3.3 |
12 |
Wet Media: Ink Organic and architectural shapes Vases |
Washes, hatching and cross-hatching, Layering and washes |
Ink, brush and nib palette |
CUVACD301A1,2, 3.1-3.3 |
13 |
Pattern and texture: Collage, mixed media, colour, tonal, value and opacity Still life 1 Spectrum collage |
Mixed media collage Approaches to surface |
Glue stick, scisscors, coloured inks, brushes & pens | CUVACD301A1,2, 3.1-3.3 |
14 |
Pattern and texture: Collage, mixed media, colour, tonal, value and opacity Still life 2 Project: Realise a creative concept “Finding Content” brief & powerpoint. Students asked to bring objects for next week’s class. |
Mixed media collage Approaches to surface |
Glue stick, scisscors, coloured inks, brushes & pens | CUVACD301A1,2, 3.1-3.3 |
15 | Project: Realise a creative concept “Finding Content” |
Mixed media collage Approaches to surface |
Glue stick, scisscors, coloured inks, brushes & pens |
CUVACD301A1,2, 3.1-3.3 CUVPRP401A 1, 2, 3, 4.1-2 |
16 | Continued project work |
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17 | Continued project work |
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18 | Continued project work |
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19 | Continued project work |
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20 | Project resolution and presentation of finished work for display and class discussion |
CUVACD301A1,2, 3 CUVPRP401A |
Learning Resources
Prescribed Texts
References
Other Resources
You will be encouraged to attend exhibition openings and visit galleries outside of your learning environment. RMIT school of Art has two galleries and an ongoing exhibition program.
Overview of Assessment
Assessment for this course is on going throughout the semester. Your knowledge and understanding of course content is assessed through completion of a body of work that demonstrates concept development, understanding of materials and adhering to the guidelines of working in a studio.
Assessment Tasks
1. Task 1: Folio of 6 drawings from the class workshops and one mixed media work from project in week 9-10.
2. Task 2: Visual diary with class notes/studies.
Assessment Matrix
The assessment matrix demonstrates alignment tasks with the relevant Unit of competency. These are available through the course contract in Program Administration.
Course Overview: Access Course Overview