Course Title: Use instruments, equipment and/or electronic technology for making music
Part B: Course Detail
Teaching Period: Term1 2007
Course Code: PERF5048C
Course Title: Use instruments, equipment and/or electronic technology for making music
School: 345T Creative Media
Campus: City Campus
Program: C5168 - Diploma of Music Industry (Technical Production)
Course Contact : Adam Lovell
Course Contact Phone: 03 9925 4976
Course Contact Email:adam.lovell@rmit.edu.au
Name and Contact Details of All Other Relevant Staff
Nominal Hours: 28
Regardless of the mode of delivery, represent a guide to the relative teaching time and student effort required to successfully achieve a particular competency/module. This may include not only scheduled classes or workplace visits but also the amount of effort required to undertake, evaluate and complete all assessment requirements, including any non-classroom activities.
Pre-requisites and Co-requisites
None
Course Description
Students will learn a range of technological skills for the making of music
National Codes, Titles, Elements and Performance Criteria
National Element Code & Title: |
CUSMGE03A Use instruments, equipment and/or electronic technology for making music |
Element: |
Ensure that equipment is used safely |
Performance Criteria: |
1.1 Monitor and use equipment within safe practice requirements |
Element: |
Maximise benefit from technical support systems |
Performance Criteria: |
2.1 Communicate requirements for technical support systems |
Element: |
Use production techniques to shape personal sound |
Performance Criteria: |
3.1 Use equipment to enhance the sound quality of the composition |
Element: |
Using instruments, technology and/or equipment effectively |
Performance Criteria: |
4.1 Explore and analyse the operational capabilities and limitations |
Learning Outcomes
Details of Learning Activities
Students will study the process of constructing sounds and composing music using electronic music technology via a series of practical tutorials/demonstrations, theory based learning, discussions, and self directed research.
Teaching Schedule
Week 1 | Orientation |
Week 2 | Course Outline – Structure Outline of Assignments and Assessment Hardware/Software to be utilised Review MIDI concepts from Cert IV. Summary of Protocols. OSX Core Audio/MIDI config. Midi in studio applications. Multiple device setups |
Week 3 | Inter application technologies. Rewire technology. Audio Units. RTAS review. Comparison of Logic and Pro Tools/ - audio/ midi/ plugins. |
Week 4 | Tour of Soft Synth technologies. Computer requirements and demands for optimising performance. Typical Apps. Vintage equipment, Synths, guitar emulators. Web based class & demos. |
Week 5 | Basics of synthesis. Overview of synthesis types and building blocks. Practical session to create sounds in logic. |
Week 6 | Practical session assignment 1 - Building Sounds. |
Week 7 | Practical session assignment 1 |
Week 8 | Practical session assignment 2 - Composition |
Week 9 | Practical session assignment 2 |
Week 10 | Class Presentation/Discussion of Assignments |
Learning Resources
Prescribed Texts
References
Other Resources
A set of web based resource links are provided below for this course.
Resource Links:
http://www.soundonsound.com/sos/apr00/articles/synthsecrets.htm
Part of an excellent 14 part series from Sound On Sound Magazine. A complete tour through synthesis. Worthwhile reading.
http://www.apple.com/macosx/features/audio/
The official Apple description of the Audio Units format that lives in the OS X Hardware abstraction layer (HAL).
http://www.propellerheads.se/technologies/rewire/
The official Propellerheads description of their rewire protocol used to interface 3rd Party apps into Pro Tools & alike. I.e. Reason & Pro Tools LE.
http://www.midi.org/about-midi/abtmidi.shtml
Basic intro/ reminder about the MIDI protocol and its main features.
http://www.borg.com/~jglatt/tutr/whatmidi.htm
Alternative basic intro to MIDI.
http://www.sfu.ca/sca/Manuals/247/midi/MIDISpec.html
More detailed description of channel messages / and data format types for midi transmissions.
www.planetoftunes.com/synth/sy_media/synthtypes.pdf
Good summary of synthesis types, FM/OSC/granular etc.
Overview of Assessment
Assesment will take place via observation, process diary, oral questioning, and submission of practical portfolio. Submissions will consist of sounds constructed using virtual instruments/synthesis incorporated into an automated composition.
Assessment Tasks
Task 1 - Designing sounds using virtual instruments/synthesis - 40%
Task 1.1 - 25% ES1
Task 1.2 - 25% ES2
Task 1.3 - 50% SCULPTURE
Task 2 - Automated Composition - 60%
Task 2.1 - 20% Inclusion of sound design elements, midi, and audio
Task 2.2 - 10% Evidence of automation of levels
Task 2.3 - 10% Evidence of automation of controllors
Task 2.4 - 10% Balance of individual instruments
Task 2.5 - 10% Overall level (mastering)
Task 2.6 - 10% EQ/Frequency Spectrum balance of mix
Task 2.7 - 10% Panning consideration
Task 2.8 - 10% Use of dynamic processors
Task 2.9 - 10% Use of effects processors
Assessment Matrix
Not applicable
Course Overview: Access Course Overview