Course Title: Record sound
Part B: Course Detail
Teaching Period: Term2 2014
Course Code: VART6073C
Course Title: Record sound
School: 345T Media and Communication
Campus: City Campus
Program: C4276 - Certificate IV in Sound Production
Course Contact : program Administration
Course Contact Phone: 03 9925 4815
Course Contact Email:mcvet@rmit.edu.au
Name and Contact Details of All Other Relevant Staff
Tim Johnston
Phone: 03 9925 4325
Email: timothy.johnston@rmit.edu.au
Nominal Hours: 60
Regardless of the mode of delivery, represent a guide to the relative teaching time and student effort required to successfully achieve a particular competency/module. This may include not only scheduled classes or workplace visits but also the amount of effort required to undertake, evaluate and complete all assessment requirements, including any non-classroom activities.
Pre-requisites and Co-requisites
none
Course Description
This unit describes the performance outcomes, skills and knowledge required to record sound, including the supervision of sound-recording operations.
National Codes, Titles, Elements and Performance Criteria
National Element Code & Title: |
CUSSOU401A Record sound |
Element: |
1Prepare for sound recording |
Performance Criteria: |
1.1 Clarify recording requirements with reference to production documentation and in consultation with relevant personnel |
Element: |
2Place microphones and test record line-up |
Performance Criteria: |
2.1 Select, power and position microphones and microphone accessories according to safety, technical and production requirements |
Element: |
3Make sound recordings |
Performance Criteria: |
3.1 Ensure run-up time is sufficient to allow stable sound recording |
Element: |
4Finalise sound-recording operations |
Performance Criteria: |
4.1 Ensure that recordings are saved in the appropriate format and logged/filed in line with organisational procedures |
Learning Outcomes
Achieve the skills and knowledge required to record sound, including the supervision of sound-recording operations.
Details of Learning Activities
In class activities may include:
• lectures
• peer teaching and class presentations
• group discussion
• online research
• independent project based work
• sound studio based team project work
Out of class activities may include:
• online research
• independent project based work
Teaching Schedule
Please note: While your teacher will cover all the material in this schedule, the weekly order is subject to change depending on class needs and availability of speakers and resources.
Semester 1
Week | Class content | Elements |
Week 1 | Physics of Sound Course overview What is sound, sound wave propagation, Wavelength, Frequency, Phase, Envelope, Velocity. 1,2 |
Element 1
|
Week 2 |
The ear Pinna, auditory canal, tympanic membrane, Basilar membrane. Reflection & diffraction of sound |
Element 1 1.1, 1.2, 1.3, 1.4, 1.5, 1.6, 1.7, 1.8 Element 2
|
Week 3 | Decibels & SPL Application of basic formulae Amplitude, Sound Levels, and Decibels Inverse Square Law Sound Intensity, SPL |
Element 1 1.1, 1.2, 1.3, 1.4, 1.5, 1.6, 1.7, 1.8 Element 2
|
Week 4 | Decibels & Hearing Threshold of Hearing Threshold of Feeling Threshold of Pain Equal Loudness contours. |
Element 1 1.1, 1.2, 1.3, 1.4, 1.5, 1.6, 1.7, 1.8 Element 2
|
Week 5 | Reverberation Early reflections & Echoes Pre delay & RT60 Intelligibility of rooms & idealised reverb times. Sabine’s formula |
Element 1 1.1, 1.2, 1.3, 1.4, 1.5, 1.6, 1.7, 1.8 Element 2
|
Week 6 | Acoustics Theory Standing Waves/ Eigentones/ Room modes Room mode calculations. Axial, tangential, oblique |
Element 1 1.1, 1.2, 1.3, 1.4, 1.5, 1.6, 1.7, 1.8 Element 2
|
Week 7 | Acoustics Theory Introduction to Building Acoustics Membrane Absorbers, Porous Absorbers, Diffusers. |
Element 1 1.1, 1.2, 1.3, 1.4, 1.5, 1.6, 1.7, 1.8 Element 2
|
Week 8 | Design & Building Acoustics Noise criteria and Transmission Loss. Room Acoustics and design requirements. |
Element 1 1.1, 1.2, 1.3, 1.4, 1.5, 1.6, 1.7, 1.8 Element 2
|
Week 9 | Practical session for Assignment & Revision |
Element 1
|
Week 10 | Written Test |
Element 1
|
Weeks 11-15* (or thereabouts depending on facilities availability) |
Practical Assignment – Recording in studio (5 x 4 hour sessions) |
Element 1 1.1, 1.2, 1.3, 1.4, 1.5, 1.6, 1.7, 1.8 Element 2 Element 3 Element 4
|
Learning Resources
Prescribed Texts
"Modern Recording Techniques" (7th Edition), Huber and Runstein, Focal Press. 0240810694 |
References
You are advised to look at the course Blackboard site for ongoing updated information. Students are expected to make full use of the Library facilities. |
Other Resources
* External firewire/USB hard drive
* 1 pair of high quality closed headphones
Overview of Assessment
Course assessment tasks will include class based practical exercises and project work undertaken in the computer lab for submission.
Assessment Tasks
You must submit all pieces of assessment for your competency to be assessed in this course..
Assessment tasks in this course are either formative or summative.
Formative tasks provide the basis for ongoing feedback and can be considered as essential building blocks for the more substantial summative assessment tasks. Summative assessment tasks in this unit are graded.
For further information on the assessment and grading criteria, please refer to the course Blackboard site.
To demonstrate competency in this course, you need to complete each one of the following pieces of assessment to a satisfactory standard.
Formative Assessments:
A. Application of appropriate formulae/calculations – Week 1-10
Summative Assessments:
1. RECORDING STUDIO PORTFOLIO
- Submit portfolio with presentation and labeling to industry standard – Week 20
Complete major recording project with work group. The work group will record, mix and complete a music studio recording utilising recording studio.
Including:
* Select and place microphones based on principles of microphone operation
* Implement appropriate dynamic processing
* Monitor and control stereo image and depth
* Apply appropriate use of effects processing
* Deliver appropriate output level of pre master final mix
2. Written multiple choice and short answer theory paper
- Week 10
3. Research, analyse, calculate and submit findings on acoustic properties of a recording environment

- Week 14
The details on these assessments and the grading criteria for this competency can be found on the course blackboard site.
Grades used in this unit are as follows:
CHD Competent with High Distinction
CDI Competent with Distinction
CC Competent with Credit
CAG Competency Achieved - Graded
NYC Not Yet Competent
DNS Did Not Submit for Assessment
Assessment of this unit is integrated with the assessments for the following units:
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VART 6071C Operate Professional Audio Equipment
BUSM6224C Manage Production Requirements
Note:Late submissions will only be able to be able to be assessed at a maximum result of CAG (competent / pass). and will not be eligible for a higher grade. Late submissions will require application for Special Consideration before due date:
www.rmit.edu.au/students/specialconsideration/online
Note that Special Consideration process is not moderated by program staff, so approval is not guaranteed
Assessment Matrix
The assessment matrix demonstrated alignment of assessment tasks with the relevant Unit of Competency. These are available through the course contact in Program administration
Other Information
Cover Sheet for Submissions
You must complete a submission cover sheet for every piece of submitted work. This signed sheet acknowledges that you are aware of the plagiarism implications.
Attendance
The major learning experience involves theory and practical training and assessment sessions, including individual and group practical exercises. It is strongly advised that you attend all sessions in order to engage in the required learning activities, ensuring the maximum opportunity to achieve competency in this unit.
Feedback - You will receive spoken and written feedback from teachers on your work. Where appropriate, this feedback will also includes suggestions on how you can proceed to the next stage of developing your projects.
Student feedback at RMIT
Student Progress
Monitoring academic progress is an important enabling and proactive strategy to assist you to achieve your learning potential. Student progress policy
Special consideration Policy (Late Submission)
All assessment tasks are required to be completed to a satisfactory level. If you are unable to complete any piece of assessment by the due date, you will need to apply for an extension. You can apply in writing for up to a week’s extension from your course teacher. If you need a longer extension, you wil need to apply for special consideration. Special consideration, appeals and discipline
Academic Integrity and Plagiarism - RMIT University has a strict policy on plagiarism and academic integrity. Please refer to the website for more information on this policy go to Academic Integrity
Work Placement:
It is a requirement of this program that all students participate in authentic work related tasks. These may be either simulated or in a real work environment. On occasion, we are approached by industry and given opportunities for students to apply for short term placements. When these placement opportunities arise, students are required to negotiate the specific details with the relevant program coordinator or teacher. All industry placements require students, RMIT staff and host organisations to sign a written agreement prior to the commencement of the placement.
Course Overview: Access Course Overview