Course Title: Select and manage microphone and other audio input sources
Part B: Course Detail
Teaching Period: Term1 2011
Course Code: VART6078C
Course Title: Select and manage microphone and other audio input sources
School: 345T Media and Communication
Campus: City Campus
Program: C4276 - Certificate IV in Sound Production
Course Contact : Program adminsitration
Course Contact Phone: +61 3 9925 4815
Course Contact Email:mcvet@rmit.edu.au
Name and Contact Details of All Other Relevant Staff
Teacher: Paul Thomas
Phone: 9925 4325
Email: paul.thomas@rmit.edu.au
Nominal Hours: 30
Regardless of the mode of delivery, represent a guide to the relative teaching time and student effort required to successfully achieve a particular competency/module. This may include not only scheduled classes or workplace visits but also the amount of effort required to undertake, evaluate and complete all assessment requirements, including any non-classroom activities.
Pre-requisites and Co-requisites
There are no pre requisites or co-requisites for this course.
Course Description
This unit describes the skills and knowledge required to select and manage audio input sources and the audio signals these devices create. This unit goes beyond the general knowledge and use of microphones and applies to those technicians who create and implement complex microphone plots. As such it requires a detailed knowledge of microphone and input source technology
National Codes, Titles, Elements and Performance Criteria
National Element Code & Title: |
CUESOU08B Select and manage microphone and other audio input sources |
Element: |
Element 1 Select microphones and other input sources according to application |
Performance Criteria: |
1.1 Analyse performance outline and liaise with appropriate colleagues to determine audio requirements 1.2 Assess the venue/location to determine input source options based on acoustic analysis and any physical limitations. 1.3 Assess the acoustic source of the audio to identify the preferred microphone placement 1.4 Identify and select the most appropriate microphone options, including consideration of microphones for specific purposes |
Element: |
Element 2 Maximise gain on stage |
Performance Criteria: |
2.1 Electrically connect and mechanically set microphones in a desired location using safe work practices 2.2 Position microphone appropriately to achieve required gain 2.3 Implement appropriate equalisation options and introduce relevant effects equipment to increase gain before feedback |
Element: |
Element 3 Manage inputs |
Performance Criteria: |
3.1 Prepare and implement an appropriate microphone plot 3.2 Patch microphone signals to the audio mixing desk, including multiple signals where required 3.3 Prepare and maintain an input signal failure plan 3.4 Test input sources, identify any problems promptly and take action to rectify as appropriate |
Learning Outcomes
On successful completion of this program you will be able to:
* Demonstrate knowledge and application of different types of microphone and their applications, including different audio pick up patterns, microphone behaviour in different environments, acoustic consequences of signal phase problems and the use of phantom power
* Apply microphone requirements for different types of environments, including live sound, studio recording and live broadcast
* Demonstrate techniques for preparation of a microphone plot, including key elements and relevant issues for consideration
* Demonstrate techniques for preparation of an input signal failure plan, including key elements and issues for consideration
* Demonstrate techniques for management of diverse input signal types, including limitations
Details of Learning Activities
In class lerning activities include, but are not limited to:
* classroom tutorials and class presentations
* studio practical sessions
* listening/comparison exercises
Out of class activities include, but are not limited to:
* exploration and application of microphones
Teaching Schedule
Please note: While your teacher will cover all the material in this schedule, the weekly order is subject to change depending on class needs and availability of speakers and resources.
WEEK | CLASS CONTENT | ELEMENTS |
WEEK 1 | Introduction to course and expectations |
1.1 - 1.4 |
WEEK 2 | Cable rolling practice More Operating Prinicples Set-up Procedures |
1.1 - 1.4 2.1 - 2.3 3.1 - 3.4 |
WEEK 3 | Polar Patterns | 1.1 - 1.4 2.1 - 2.3 3.1 - 3.4 |
WEEK 4 | Microphone Specifications | 1.1 - 1.4 2.1 - 2.3 3.1 - 3.4 |
WEEK 5 | Specialist Microphones | 1.1 - 1.4 2.1 - 2.3 3.1 - 3.4 |
WEEK 6 | Microphone Applications | 1.1 - 1.4 2.1 - 2.3 3.1 - 3.4 |
WEEK 7 | Stereo Microphone Techniques | 1.1 - 1.4 2.1 - 2.3 3.1 - 3.4 |
WEEK 8 | Listening Exercise | 1.1 - 1.4 2.1 - 2.3 3.1 - 3.4 |
WEEK 9 | Revision | 1.1 - 1.4 2.1 - 2.3 3.1 - 3.4 |
WEEK 10 | Final Summative Assessment | 1.1 - 1.4 2.1 - 2.3 3.1 - 3.4 |
WEEKS 11- 16 | Practical application. Demonstrating use of Microphones | 1 to 3 |
Learning Resources
Prescribed Texts
On-line resources |
|
Microphone Manufacturer's Websites |
References
You are advised to look at the course blackboard site for ongoing updated information. |
Other Resources
Materials for taking notes in class
Overview of Assessment
Course assessment tasks include studio practicals testing of underpinning knowledge.
Assessment Tasks
Assessment tasks in this course are either formative or smmative. Formative tasks provide the basis for ongoing feedback and can be considered as essential building blocks for the more substantial summative assessment tasks. Summative assessment tasks in this unit are graded.
For further information on the assessments and grading criteria, please refer to the couse Blackboard site.
To demonstrate competency in this course, you will need to complete each one of the following pieces of assessment to a satisfactory standard.
Formative Assessment
1. Set-up pack down task. This involves set-up and pack down of a microphone and stand. Assessed during Studio Prac 2 & 3. To be completed in week TBC.
2. Research Project. Involves researching microphone specifications for RMIT University microphone kit. Due week 4. Summative Assessment
Summative Assessment
The summative assessment consist of two practical recording sessions in Studio 1 and a test on microphone theory. Please see following for details of the various components of this.
1. Studio Prac 2. Studio recording exercise with solo performer. To be completed in week TBC.
2. Studio Prac 3. Studio recording exercise of a drum kit. Week TBC.
3. Theory test. Multiple choice test on the theory and application of microphones and other input sources. Week 10.
The details on these assessments and the grading criteria for this competency can be found on the course Blackboard site.
Grades used in this unit are as follows:
CHD Competent with High Distinction
CDI Competent with Distinction
CC Competent with Credit
CAG Competence Achieved -Graded
NYC Not Yet Competent
DNS Did Not Submit for Assessment
Assessment Matrix
The assessment matrix demonstrated alignment of assessment tasks with the relevant Unit of Competency. These are
available through the course contact in Program administration
Other Information
Special consideration Policy (Late Submission)
All assessment tasks are required to be completed to a satisfactory level. If you are unable to complete any piece
of assessment by the due date, you will need to apply for an extension.
Please refer to the following URL for extensions and special consideration:
http://www.rmit.edu.au/browse;ID=qkssnx1c5r0y;STATUS=A;PAGE_AUTHOR=Andrea%20Syers;SECTION=1;
Course Overview: Access Course Overview