Course Title: Design and manipulate complex layouts
Part B: Course Detail
Teaching Period: Term2 2018
Course Code: GRAP6346C
Course Title: Design and manipulate complex layouts
School: 320T Architecture & Urban Design
Campus: Brunswick Campus
Program: C5359 - Diploma of Graphic Design
Course Contact: Alistair Briggs
Course Contact Phone: +61 9925 9446
Course Contact Email: alistair.briggs@rmit.edu.au
Name and Contact Details of All Other Relevant Staff
Claudia Bergsdorf
Nominal Hours: 65
Regardless of the mode of delivery, represent a guide to the relative teaching time and student effort required to successfully achieve a particular competency/module. This may include not only scheduled classes or workplace visits but also the amount of effort required to undertake, evaluate and complete all assessment requirements, including any non-classroom activities.
Pre-requisites and Co-requisites
None required.
Course Description
In this course you will develop the skills and knowledge required to design complex publication layouts. You will combine creative design skills with technical software proficiency. You will produce layouts for a range of publishing, design, advertising and printing outcomes.
National Codes, Titles, Elements and Performance Criteria
National Element Code & Title: |
CUAGRD505 Design and manipulate complex layouts |
Element: |
1 Analyse design needs |
Performance Criteria: |
1.1 Confirm communication objectives for the publication based on the design brief and consultation with relevant people as required 1.2 Evaluate particular specifications of the design brief 1.3 Source and evaluate other information pertinent to the project |
Element: |
2 Develop and refine layout ideas |
Performance Criteria: |
2.1 Identify relevant sources and conduct research to inform layout ideas 2.2 Consider the opportunities and constraints offered by different techniques and technologies 2.3 Assess the different elements that need to be incorporated into the overall layout 2.4 Create and refine ideas and options by working with the fundamental elements and principles of design 2.5 Refine ideas through use of ongoing technical experimentation 2.6 Evaluate and select approaches based on their potential to meet the 2.7 Produce and present visual representations of design ideas and communicate with others to confirm as required |
Element: |
3 Create and manipulate layouts |
Performance Criteria: |
3.1 Set up the document using the capabilities of appropriate software 3.2 Manipulate and enhance the layout through use of an extended range of tools and features 3.3 Support communication objectives with effective integration of text and visuals 3.4 Identify and resolve technical problems based on developing expertise 3.5 Achieve desired outcomes through application of design skills and technical expertise 3.6 Enhance outcomes by allowing the creative and technical processes to work together 3.7 Establish and follow safe work practices in the work process |
Element: |
4 Evaluate design work |
Performance Criteria: |
4.1 Critique the layout from both a functional and aesthetic perspective in the context of the design objective 4.2 Seek feedback from others as required, and make appropriate adjustments 4.3 Make assessment of own work and identify key learnings to inform future work |
Element: |
5 Finalise technical aspects |
Performance Criteria: |
5.1 Edit and refine layouts to meet technical requirements 5.2 Follow correct protocols for saving, exporting and storing files 5.3 Establish appropriate file formats for output and appropriate colour management profiles |
Learning Outcomes
Details of Learning Activities
Learning activities will take place in a studio and computer laboratory using industry standard tools and resources. You will complete exercises and industry style projects. You will also be required to undertake independent study.
In class activities will include:
- demonstrations and presentations by teacher
- peer teaching and class presentations
- group discussion
- review and revision
- peer learning
- teacher directed group activities/projects
- ‘workshopping’ of student projects including peer/lecturer feedback
Out of class activities will include:
- independent project based work
- online tutorials and activities
- independent research
- studio practice
- review and revision
Teaching Schedule
This course is clustered with GRAP6348C BSBDES402 Interpret and respond to a design brief
WEEK |
Session Description |
Assessment due |
Learning Elements CUAGRD505 |
Learning Elements BSBDES402 |
1 |
Course introduction - Overview and Assessment Requirements. InDesign revision. Working with tables and rules in InDesign. Understanding their uses and limitations. Task A: Simple Tables. |
1,2,3,4,5 |
4 |
|
2 |
Revision continued - Working with more complex forms in InDesign using tables, tabs and rules. Task B: Complex Tabs and Tables. |
Task A DUE |
1,2,3,4,5 |
4 |
3 |
Brief requirements - Introduction to Project 1.0. Analysis of genre codes and how are they brought to life using images and type. Detailed study of the interrelationships between different visual design components within a complex layout. Develop subscription form. Project 1.0: Breaking Records and Subscription Form. |
Task B DUE INTRODUCTION PROJECT 1.0 ASSESSMENT CHECKLISTS |
1,2,3,4,5 |
1, 2 |
4 |
Concept development - Genre research must clearly identify appropriate characteristics, moods & styles. Research contemporary typography and design. Source and cite appropriate imagery. |
DRAFT DUE |
1,2,3,4,5 |
1, 2, 3, 4 |
5 |
Project development - Identify technical requirements pertaining to layout ideas. Explore a range of tools to meet the design objectives. |
|||
6 |
Project development - Focus on consistent execution across all project components. Engage in consultation to identify improvements for hard copy prototypes. |
1,2,3,4,5 |
1, 2, 3, 4 |
|
7 |
Project development - Assess resources and technical requirements for production. Refer to checklists to complete complex finished artwork. |
DRAFT DUE |
1,2,3,4,5 |
1, 2, 3, 4 |
8 |
Resolve project - Refine design solution for Project 1.0. Demonstrate ability to conceive of the project in its totality. |
1,2,3,4,5 |
1, 2, 3, 4, 5 |
|
9 |
Final presentation - Individual presentations for assessment. |
Project 1.0 DUE |
1,2,3,4,5 |
2, 3, 4, 5 |
10 |
Brief requirements - Introduction to Project 2.0. View examples, discuss concepts and research methods. Receive assigned topics. Form groups, develop communication methods and timelines. Project 2.0: Type Topic Booklet. |
INTRODUCTION PROJECT 2.0 ASSESSMENT CHECKLISTS |
1,2,3,4,5 |
2, 3, 4, 5 |
11 |
Collaborative activities - Present multiple concept directions to the group. Outline client/target audience and their expectations based on your research/concept. Source and incorporate feedback from peers. |
1,2,3,4,5 |
2, 3, 4, 5 |
|
12 |
Concept development - Refine layout ideas and develop designs. Feedback and discussion. Develop coordinated approach to cover. |
1,2,3,4,5 |
2, 3, 4, 5 |
|
13 |
Project development - Initial PROOFING of Type Topics Project in hard copy. Use iterative processes to ensure that expectations for consistency and accuracy are met across the set of booklets. |
DRAFT DUE |
1,2,3,4,5 |
2, 3, 4, 5 |
14 |
Project development - Respond to feedback to improve work. Conduct technical checks before final production. |
1,2,3,4,5 |
2, 3, 4, 5 |
|
15 |
Resolve project - Resolve and produce work ensuring all parameters of design brief are met. |
1,2,3,4,5 |
2, 3, 4, 5 |
|
16 |
Final presentation - Individual presentations for assessment. |
Project 2.0 DUE |
1,2,3,4,5 |
2, 3, 4, 5 |
Learning Resources
Prescribed Texts
References
French, Nigel, InDesign Type: Professional Typography with Adobe InDesign (3rd Edition), 2014, Adobe Press |
978-0321966957 |
Williams, Jim, Type Matters!, Merrell Publishers, 2012 |
978-1858945675 |
Spiekermann, Erik, Stop Stealing Sheep & Find Out How Type Works, Third Edition (3rd Edition), Adobe Press, 2013 |
978-0321934284 |
Kane, John, A Type Primer (2nd Edition), Pearson Prentice Hall, 2011 |
978-0205066445 |
Highsmith, C, Inside Paragraphs, 2012, The Font Bureau Inc |
978-0965472203 |
Garfield, Simon, Just My Type: A Book About Fonts, 1st (first) Edition (2010) |
B00CF6G1DM |
Coles, Stephen, The Geometry of Type: The Anatomy of 100 Essential Typefaces, Thames & Hudson Ltd; 1st edition, 2013 |
978-0500241424 |
Lupton, Ellen, Thinking with Type: A Critical Guide for Designers, Writers, Editors, & Students 2 Rev Exp Edition, 2014, Princeton Architectural Press |
978-1568989693 |
Middendorp, Jan, Shaping Text: Type, Typography and the Reader, 2012, BIS Publishers |
978-9063692230 |
Other Resources
Prescribed Texts
There are no compulsory prescribed texts in this course. This course has recommended books listed under ‘References’
You are advised to look at the Learning Hub at myRMIT site for ongoing updated information. A range of learning resources and references are provided throughout the year.
You will require a personal storage device and tools as outlined in tool kit list.
RMIT will provide you with resources and tools for learning in this course through our online systems and access to specialised facilities and relevant software. You will also have access to the library resources.
Amongst the library’s electronic resources is the ability to access Lynda.com for online tutorials and lessons. You may be given these tutorials (and other resources) to supplement your classroom learning. The University Library has extensive resources for Design students. The Library has produced a subject guide that includes quality online and print resources for your studies http://rmit.libguides.com/graphicartanddesign
The Library provides guides on academic referencing http://www.rmit.edu.au/library/referencing and subject specialist help via your Liaison Librarian http://www.rmit.edu.au/library/librarians/dsc
Overview of Assessment
Assessment is on-going throughout the course. Assessment tasks will require you demonstrate the application of knowledge and skills through practical projects and/or exercises. The assessment tasks are:
Exercises
Major projects incorporating design and printed outcomes
Reports
An assessment charter summarises your responsibilities as an RMIT student as well as those of your teachers.
Assessment Tasks
This course has 2 Projects. You are required to demonstrate all learning outcomes to a satisfactory standard.
Task 1: Simple Tables. Due Week 2.
Task 2: Complex Tables & Tabs. Due Week 3 start of class.
Project 1 Part A: Students will design and produce 2 x album covers and 1 x album liner notes. Due Week 9
Project 1 Part B: Students will design and produce a subscription form. Due Week 9
Project 2: Students will design a multipage booklet. This will be a group project. Due Week 16.
At the completion of the course, grading will be offered in addition to, and after, competency based assessment.
Grades which apply to courses delivered in accordance with competency-based assessment, but which also use graded assessment are:
CHD Competent with High Distinction
CDI Competent with Distinction
CC Competent with Credit
CAG Competency Achieved - Graded
NYC Not Yet Competent
DNS Did Not Submit for Assessment
Assessment Matrix
An assessment matrix demonstrating alignment of assessment tasks with the relevant Unit of Competency is available from the course contact person (stated above).
Other Information
Attendance
The major aspect of your learning experience involves studio based exercises, demonstration and production. It is strongly advised that you attend all sessions in order to engage in the required learning activities, ensuring the maximum opportunity for success.
Feedback
You will receive verbal and written feedback by teacher on your work. This feedback also includes suggestions on how you can proceed to the next stage of developing your projects.
Student Progress
Monitoring academic progress is an important enabling and proactive strategy to assist you to achieve your learning potential. Student progress policy
Submissions
When submitting work for assessment you are required to complete a declaration of authorship. This must be done for every summative assessment task. This statement acknowledges that you are aware of the plagiarism implications. For non-digital submission use the printed form provided. For digital online submission please use e Submission process. Information regarding the eSubmission process
Special Consideration Policy, Late Submission & Extensions
All assessment tasks are required to be completed to a satisfactory level.
If you are unable to complete any piece of assessment by the due date, you will need to apply for an extension. Pick the following link for details on applying for Special consideration
Reasonable adjustment is available and may be applied through the Special Consideration process. Any student seeking an extension, should aim at doing so a minimum of 2 days before the deadline. Work submitted late and without an extension at any point will incur late penalties in accordance with university policy. If you require an extension you must complete an extension form with evidence supporting your application and hand this to your instructor. Further links Application for extension of time
On Time Submission and Impact of Late Submission
On time submission is an important factor in your assessment. Employability skills are embedded in all courses and these include Planning & Organising and Self-management. For this reason, late work impacts on your overall grade for each assessment task.
The following adjustments for late submission will be made: Work submitted late will be assessed for competency only. Submissions are only permitted during the period that the competency is scheduled.
Academic Integrity and Plagiarism
RMIT University has a strict policy on plagiarism and academic integrity. Please refer to the website for more information on this policy go to Academic Integrity. Academic Integrity
Course Overview: Access Course Overview